Defense Secretary Chuck Hagel is ordering a massive overhaul of America’s nuclear weapons program after finding that “we’ve taken our eye off the ball,” he said at a press conference on Friday morning. The Pentagon released a review of the nuclear forces that found outdated equipment, weak leadership, and abysmal morale among the men and women responsible for maintaining and launching some of the most destructive weapons on the planet. It found, for example, that the Air Force had only one wrench to attach and remove nuclear warheads on 450 ICBMs at three different bases. Maintenance officers would FedEx it among the bases.
The wrench fiasco, since remedied, “is reflective and indicative of a system that has been allowed to slowly back downhill,” Hagel said. “We must change the culture of the nuclear force, especially in the Air Force.”
Elizabeth became queen at the age of 25, and upon hearing of her accession to the throne, she is reputed to have quoted the 118th Psalm’s twenty-third line, in Latin: “A Dominum factum est illud, et est mirabile in oculis notris” – “It is the Lord’s doing, and it is marvellous in our eyes.”
On 20 November 1558, Elizabeth declared her intentions to her Council and other peers who had come to Hatfield to swear allegiance. The speech contains the first record of her adoption of the mediaeval political theology of the sovereign’s “two bodies”: the body natural and the body politic:
My lords, the law of nature moves me to sorrow for my sister; the burden that is fallen upon me makes me amazed, and yet, considering I am God’s creature, ordained to obey His appointment, I will thereto yield, desiring from the bottom of my heart that I may have assistance of His grace to be the minister of His heavenly will in this office now committed to me. And as I am but one body naturally considered, though by His permission a body politic to govern, so shall I desire you all…to be assistant to me, that I with my ruling and you with your service may make a good account to Almighty God and leave some comfort to our posterity on earth. I mean to direct all my actions by good advice and counsel.
As her triumphal progress wound through the city on the eve of the coronation ceremony, she was welcomed wholeheartedly by the citizens and greeted by orations and pageants, most with a strong Protestant flavour. Elizabeth’s open and gracious responses endeared her to the spectators, who were “wonderfully ravished”. The following day, 15 January 1559, Elizabeth was crowned at Westminster Abbey and anointed by the Catholic bishop of Carlisle. She was then presented for the people’s acceptance, amidst a deafening noise of organs, fifes, trumpets, drums, and bells.
The Elizabethan era was a time associated with Queen Elizabeth I’s reign (1558-1603) and is often considered to be the golden age in English history. It was the height of the English Renaissance and saw the flowering of English poetry, music and literature. This was also the time during which Elizabethan theatre flourished, and William Shakespeare and many others composed plays that broke free of England’s past style of plays and theatre. It was an age of exploration and expansion abroad, while back at home, the Protestant Reformation became more acceptable to the people, most certainly after the Spanish Armada was repulsed. It was also the end of the period when England was a separate realm before its royal union with Scotland.
The Elizabethan Age is viewed so highly because of the periods before and after. It was a brief period of largely internal peace between the English Reformation and the battles between Protestants and Catholics and the battles between parliament and the monarchy that engulfed the seventeenth century. The Protestant/Catholic divide was settled, for a time, by the Elizabethan Religious Settlement, and parliament was not yet strong enough to challenge royal absolutism. England was also well-off compared to the other nations of Europe. The Italian Renaissance had come to an end under the weight of foreign domination of the peninsula. France was embroiled in its own religious battles that would only be settled in 1598 with the Edict of Nantes. In part because of this, but also because the English had been expelled from their last outposts on the continent, the centuries long conflict between France and England was largely suspended for most of Elizabeth’s reign.
The one great rival was Spain, with which England clashed both in Europe and the Americas in skirmishes that exploded into the Anglo-Spanish War of 1585-1604. An attempt by Philip II of Spain to invade England with the Spanish Armada in 1588 was famously defeated, but the tide of war turned against England with an unsuccessful expedition to Portugal and the Azores, the Drake-Norris Expedition of 1589. Thereafter Spain provided some support for Irish Catholics in a debilitating rebellion against English rule, and Spanish naval and land forces inflicted a series of reversals against English offensives. This drained both the English Exchequer and economy that had been so carefully restored under Elizabeth’s prudent guidance. English commercial and territorial expansion would be limited until the signing of the Treaty of London the year following Elizabeth’s death.
England during this period had a centralised, well-organised, and effective government, largely a result of the reforms of Henry VII and Henry VIII. Economically, the country began to benefit greatly from the new era of trans-Atlantic trade.
Some illusions are not good. Keeping up appearances can be dangerous. We should have the courage to admit that we or those we love or should love are in need. A political party that is too afraid to speak this message is nearly worthless.
I love the honest moment many critics hate in Akira Kurisawa’s One Wonderful Sunday (1947) when the director, through the female co-lead, confesses the act of creating for the public good by turning to us, the viewers, and begging for help for the poor lovers of post-WWII Japan: “There are so many poor lovers like us.”
Generations later, the Japanese left is by and large retaining its moral courage against a denialist onslaught that would have fit right in with Fascist days gone by. In a vicious campaign of moral inversion that would make Karl Rove proud, those who dare to stand by the historical veracity of the exploitation of “comfort women” are themselves scandalized. The current conservative Japanese effort to expunge from history the Japanese military’s mass brutalizing of women during WWII is, needless to say, itself deeply shameful. But this need for maintenance of societal illusion is by no means a new creation. Nor can the U.S. exempt itself from criticism with respect to its own deep and wide illusion at home and abroad, and in particular with respect to Japan.
The title of The Audacity of Hope was derived from a sermon delivered by Obama’s former pastor, Jeremiah Wright. Wright had attended a lecture by Dr. Frederick G. Sampson in Richmond, Virginia, in the late 1980s, on the G. F. Watts painting Hope, which inspired him to give a sermon in 1990 based on the subject of the painting – “with her clothes in rags, her body scarred and bruised and bleeding, her harp all but destroyed and with only one string left, she had the audacity to make music and praise God … To take the one string you have left and to have the audacity to hope… that’s the real word God will have us hear from this passage and from Watt’s painting.”
While “her” audacity is commendable, where is “ours”? Can we look on at a person in such a condition and not ask why and then do all we can to change those conditions?
This vision, which was ultimately an appeal to honestly assess the requirements of justice in the service of love, has been diminished through a societal psychosis brought about only in part by an opposition party strategically incapable of telling the truth on anything serious. The Republican Party is built on lying, to be sure. But it has received decades of assistance from the pathetic unwillingness of the U.S.’s so-called liberal party to have the audacity to honestly call even for old time liberal religion and from the pathetic unwillingness of the so-called liberal media to have the audacity to expose lies on a prolonged basis except of the inconsequential variety–such as the covering up of the pathetic sex life of a president with a consenting intern. While I hope most of us would agree that Bill Clinton was a putz, our collective political lives should not turn based on what he does with his. Had he turned to the camera and said “There are so many poor [so to speak] lovers like us” we all should have clapped, laughed, or yawned, but certainly immediately moved on.
It is worth pondering who is really running this sickly thickly syrupy daytime theatre of life in the U.S.–so comfortable with societal psychosis once reserved for dreams of a heavenly one–while we put on our daily generally modest costumes. We have lost the will to pray, oh Lord, for a Mercedes Benz or even a new pickup, although we may still feel this unexplained ungratified compulsion to purchase new gizmos with whatever is left over after the tank of gas that will get us from our trailer to our part time jobs if we can get them.
It can sometimes be difficult, however, to tell the actors from the playwrights, for even the playwrights have to play dress up, or, more typically, dress down. When you are an imperial family, it is important to look the part, which will vary according to the needs of the occasion. If your power is mainly cultural, with pretentions of divinity, your plumage may need to be bold. While living large you may feel compelled to use your women and children more like props than actors on the stage of your pampered world.
If your power is economic, you may need to dress like regular small business folk on the way to the quaint grand opening of a new five and dime, complete with soda fountain. Your appearance should reflect the business needs of your milieu, even if that means you too must look like you eat tons of that processed corn-shit you sell to us at everyday low prices.
Before I come back to them, I want to mention the customers. You may wholly or partly not realize it, but, if you are reading this, you are likely sitting or standing (pray not driving) in the Wholly Walton Empire. You won’t actually get to “[m]eet the 6 Walton Heirs at the [t]op of the Walmart [e]mpire,” but it is important to their tight hold on power in the U.S. that you and hundreds of millions of species-beings like you remain alienated and not develop class consciousness of them and moral consciousness of the ends and means of their empire.
Now back to our story …
The Walton family are just regular folk, plus lots of money and power. They are at the pinochle of a homestyle capitalist family built on the illusion of choice. They are mere country vendors.
Other small town folk make the stuff that they vend, which we stuff into our bodies and souls to the limit of our credit and physiological and psychological capacity to intake stuff.
These ultra rich “regular folk” use slick mercenary politicians from both U.S. ruling parties to carry out their policies in exchange for chump change and neoliberal-circumscribed political power implemented through the kabuki theatre of “aw shucks, pass me them taters” known as U.S. “democracy.” A broad spectrum of “regular folk,” sometimes already wealthy but usually not “ultra rich,” compete within this mercenary class. Enter folks like Jeb (make no mistake, Jeb does not come to Arkansas because he cares about education)
and “our” very own HRC.
Now what in tarnation does this have to do with Japan?
Did the young Austrian nun named Maria really take to the hills surrounding Salzburg to sing spontaneously of her love of music? Did she comfort herself with thoughts of copper kettles, and did she swoon to her future husband’s song about an alpine flower while the creeping menace of Nazism spread across central Europe? No, the real-life Maria von Trapp did none of those things. She was indeed a former nun, and she did indeed marry Count Georg von Trapp and become stepmother to his large brood of children, but nearly all of the particulars she related in her 1949 book, The Story of the Trapp Family Singers, were ignored by the creators of the Broadway musical her memoir inspired. And while the liberties taken by the show’s writers, Howard Lindsay and Russel Crouse, and by its composer and lyricist, Richard Rodgers and Oscar Hammerstein II, caused some consternation to the real Maria von Trapp and to her stepchildren, according to many later reports, those liberties made The Sound of Music a smash success from the very night of its Broadway opening on this day in 1959.
The Sound of Music opened on Broadway at the Lunt-Fontanne Theatre on November 16, 1959, moved to the Mark Hellinger Theatre on November 6, 1962 and closed on June 15, 1963 after 1,443 performances. The director was Vincent J. Donehue, and the choreographer was Joe Layton. The original cast included Mary Martin (at age 46) as Maria, Theodore Bikel as Captain Georg von Trapp, Patricia Neway as Mother Abbess, Kurt Kasznar as Max Detweiler, Marion Marlowe as Elsa Schraeder, Brian Davies as Rolf and Lauri Peters as Liesl. Soprano June Card was one of the ensemble members in the original production. The show tied for the Tony Award for Best Musical with Fiorello!. Other awards included Martin for Best Actress in a Musical, Neway for Best Featured Actress, Best Scenic Design (Oliver Smith) and Best Musical Direction (Frederick Dvonch). Bikel and Kaznar were nominated for acting awards, and Donehue was nominated for his direction. The entire children’s cast was nominated for Best Featured Actress category as a single nominee, even though two children were boys.
The Sound of Music was the final musical written by Rodgers and Hammerstein; Hammerstein died of cancer nine months after the Broadway premiere.
War with Isis: Islamic militants have army of 200,000, claims Kurdish leader
Exclusive: CIA has hugely underestimated the number of jihadis, who now rule an area the size of Britain
PATRICK COCKBURN IRBIL Sunday 16 November 2014
The Islamic State (Isis) has recruited an army hundreds of thousands strong, far larger than previous estimates by the CIA, according to a senior Kurdish leader. He said the ability of Isis to attack on many widely separated fronts in Iraq and Syria at the same time shows that the number of militant fighters is at least 200,000, seven or eight times bigger than foreign in intelligence estimates of up to 31,500 men.
Fuad Hussein, the chief of staff of the Kurdish President Massoud Barzani said in an exclusive interview with The Independent on Sunday that “I am talking about hundreds of thousands of fighters because they are able to mobilise Arab young men in the territory they have taken.”
Welcome to The Breakfast Club! We’re a disorganized group of rebel lefties who hang out and chat if and when we’re not too hungoverwe’ve been bailed outwe’re not too exhausted from last night’s (CENSORED) the caffeine kicks in. Join us every weekday morning at 9am (ET) and weekend morning at 10:30am (ET) to talk about current news and our boring lives and to make fun of LaEscapee! If we are ever running late, it’s PhilJD’s fault.
Today in History
Highlights of this day in history: Dr. Sam Sheppard acquitted of murder in new trial; U.S. and U.S.S.R. form diplomatic ties; Second anthrax letter found sent to Capitol Hill; Actor William Holden dies; ‘Sound of Music’ hits Broadway. (Nov. 16)
Did the young Austrian nun named Maria really take to the hills surrounding Salzburg to sing spontaneously of her love of music? Did she comfort herself with thoughts of copper kettles, and did she swoon to her future husband’s song about an alpine flower while the creeping menace of Nazism spread across central Europe? No, the real-life Maria von Trapp did none of those things. She was indeed a former nun, and she did indeed marry Count Georg von Trapp and become stepmother to his large brood of children, but nearly all of the particulars she related in her 1949 book, The Story of the Trapp Family Singers, were ignored by the creators of the Broadway musical her memoir inspired. And while the liberties taken by the show’s writers, Howard Lindsay and Russel Crouse, and by its composer and lyricist, Richard Rodgers and Oscar Hammerstein II, caused some consternation to the real Maria von Trapp and to her stepchildren, according to many later reports, those liberties made The Sound of Music a smash success from the very night of its Broadway opening on this day in 1959.