Science fiction has been frequently utilized in embellishing the capitalist system. Suffice it to mention movies like Superman and Exterminator, which, under a seemingly innocent story, cover a barely hidden apology of its dominant values. In the history of the seventh art there exist, however, opposing examples where the symbolism of the imaginary is used for aims of social criticism. One of the most outstanding is undoubtedly offered by John’s Carpenter’s They Live. Although it appeared about 20 years ago, in 1988, the movie remains timely and relevant as one of the most devastating and sharp criticisms of American imperialism ever made. And it also reads as prophesy of what later crystallized to be the embodiment of its most brutal features, the corrupt and cynical Bush administration, now leaving the scene.
Tag: Chrstos Kefalis
Feb 21 2009