In an extended segment of MSNBC’s “All In,” host Chris Hayes spoke with author and co-founder of “The Intercept” Jeremy Scahill about the claim by Al Qaeda in the Arabian Peninsula (AQAP) that they were responsible for the shooting at the satirical magazine “Charlie Hebdo.” Later in the segment, Hayes speaks with satirical cartoonist, Ted Rall about the limits of free speech and expression.
Al Qaeda in the Arabian Peninsula: We Directed Paris Attack as ‘Vengeance for the Prophet’
By Jeremy Scahill, The Intercept
Al Qaeda in the Arabian Peninsula (AQAP) has now officially taken responsibility for the attack on the offices of Charlie Hebdo in Paris last Friday, but denied any involvement in the subsequent attack on the kosher supermarket in Paris. [..]
As we reported earlier this week, “In analyzing AQAP’s potential role in the Paris attack, it’s worth remembering the four-month delay between the group praising the 2009 underwear plot and the group releasing evidence it actually orchestrated the act. Short of such video or photographic documentation, and even with an official statement from AQAP’s leadership, it would be difficult to prove that AQAP indeed sponsored the raid on Charlie Hebdo.” If such photographic or video evidence exists, AQAP will undoubtedly release it. When pressed as to whether the group has and will publish proof of this nature, an AQAP source told The Intercept, “We are not in a hurry.”
On Charlie Hebdo and the Real Free Speech Weenies
By Ted Rall, A New Domain
Not everyone believes in free speech.
I’m not talking about those on the authoritarian right. No one expects them to stand up for the right to dissent. They are ideologically consistent; for them, the rights of the individual always is a distant second to the prerogatives of the state and its incessant campaign to maintain the status quo that keeps them in power.
Today I’m pointing to those – liberals, progressives, left libertarians – who purport to support freedom of expression, and must be seen to do so in order to continue to identify as members of the antiauthoritarian left, but only state their defense of press and personal freedom with reservations. [..]
If those cartoons hadn’t been outrageous, the cartoonists who drew them probably wouldn’t have gotten shot to death. (Similarly, my cartoons about 9/11 icons were over-the-top. That’s why they stirred a fuss.)
To believe in freedom of expression, to truly defend satire, we must stand up for it unequivocally, without reservation – not despite our distaste for the cartoons or standup routines or humorous essays or films drawing fire from critics and potential murderers, but because they make us uncomfortable.
If you can’t compartmentalize, if you can’t refrain from playing the critic even when the cartoons or whatever have gotten their creators blown away by automatic weapons, then you are not with us. You are with them.