October 6, 2011 archive

Today on The Stars Hollow Gazette

Our regular featured content-

These featured articles-

And these special features-

Please join us for the American and National League Playoffs with pithy commentary by ek hornbeck and un bon mot par moi, maybe even in English.

The Detroit Tigers meet up with the NY Yankees at 8 PM EDT in the Bronx for the deciding game of the American League Division Championships. Who will the Texas Rangers play against for the ALC on Saturday?

Both the NLDS are now tied and will go to the final deciding games tomorrow evening. There was some excitement at the Cardinals/Phillies game when a squirrel ran across home plate disrupting the game and getting a lot of attention as it ran into the crowd.

The Stars Hollow Gazette

Occupy Wall Street 10.06.11

Occupy Wall Street 10.05.11

Cartnoon

Hyde and Hare

Occupy Wall St. Livestream: Day 20

Cross posted from The Stars Hollow Gazette

Watch live streaming video from globalrevolution at livestream.com

OccupyWallStreet

The resistance continues at Liberty Square, with free pizza 😉

“I don’t know how to fix this but I know it’s wrong.” ~ Unknown Author

Photobucket

Foley Square, NYC. 4:47 PM

Wall Street as Public Enemy Number One

Glen Ford, Black Agenda Report

They are very young, very white, and largely inexperienced in organizing. But the Occupy Wall Street crew has picked the right target: finance capitalists, the class that is the common enemy of the human race. In that sense, “the Zuccotti Park campers are eons ahead of the faux radicals and ‘progressives’ who, in terror of the Tea Party and Republican presidential clown candidates, will soon return to the Obamite fold in their eternal search for lesser evils.” Obama was, and will remain, the candidate of Wall Street.

Streamed by We are Change in New York, NY.

Unions, students join Wall St. protesters

NEW YORK – Unions gave a high-profile boost to the long-running protest against Wall Street and economic inequality Wednesday, with their members joining thousands of protesters in a lower Manhattan march. Across the country, students at several colleges walked out of classes in solidarity.

People gathered at Foley Square, an area encircled by courthouses and named for “Big Tom” Foley, a former blacksmith’s helper who became a prominent state Democratic leader. From there they marched to Zuccotti Park, the protesters’ unofficial headquarters.

Sterling W. Roberson, vice president for the United Federation of Teachers, said union members shared the same ideals as activists who have been camped out in sleeping bags for more than two weeks.

“The middle class is taking the burden but the wealthiest of our state and country are not,” he said.

Thousands of protesters packed Foley Square, standing behind police barricades in front of the courthouse buildings. Some wore union T-shirts, others were in business attire, and many left work early to be there.

People in the crowd were carrying red-white-and-blue signs bearing a giant star-graced A — representing the motto “Rebuild America.” Other signs bore slogans including “Tax Wall Street” and “Make Jobs Not Cuts.”

For amusement, Glenn Greenwald shreds CNN’s newest anchor, Wall St. apologist, Erin Burnett and her condescending scorn for Occupy Wall Street. Burnett is another reason not to watch CNN.  

On This Day In History October 6

by TheMomCat

Crossposted from The Stars Hollow Gazette

This is your morning Open Thread. Pour your favorite beverage and review the past and comment on the future.

Find the past “On This Day in History” here.

October 6 is the 279th day of the year (280th in leap years) in the Gregorian calendar. There are 86 days remaining until the end of the year.

On this day in 1927. The Jazz Singer makes its debut in New York City.

The first feature-length motion picture with synchronized dialogue sequences, its release heralded the commercial ascendance of the “talkies” and the decline of the silent film era. Produced by Warner Bros. with its Vitaphone sound-on-disc system, the movie stars Al Jolson, who performs six songs. Directed by Alan Crosland, it is based on a play by Samson Raphaelson.

The story begins with young Jakie Rabinowitz defying the traditions of his devout Jewish family by singing popular tunes in a beer hall. Punished by his father, a cantor, Jakie runs away from home. Some years later, now calling himself Jack Robin, he has become a talented jazz singer. He attempts to build a career as an entertainer, but his professional ambitions ultimately come into conflict with the demands of his home and heritage.

The premiere was set for October 6, 1927, at Warner Bros.’ flagship theater in New York City. The choice of date was pure show business-the following day was Yom Kippur, the Jewish holiday around which much of the movie’s plot revolves.  The buildup to the premiere was tense. Besides Warner Bros.’ precarious financial position, the physical presentation of the film itself was remarkably complex:

   

Each of Jolson’s musical numbers was mounted on a separate reel with a separate accompanying sound disc. Even though the film was only eighty-nine minutes long…there were fifteen reels and fifteen discs to manage, and the projectionist had to be able to thread the film and cue up the Vitaphone records very quickly. The least stumble, hesitation, or human error would result in public and financial humiliation for the company.

None of the Warner brothers were able to attend: Sam Warner-among them, the strongest advocate for Vitaphone-had died the previous day of pneumonia, and the surviving brothers had returned to California for his funeral.

According to Doris Warner, who was in attendance, about halfway through the film she began to feel that something exceptional was taking place. Jolson’s “Wait a minute” line had prompted a loud, positive response from the audience. Applause followed each of his songs. Excitement built, and when Jolson and Eugenie Besserer began their dialogue scene, “the audience became hysterical.”  After the show, the audience turned into a “milling, battling, mob”, in one journalist’s description, chanting “Jolson, Jolson, Jolson!” Among those who reviewed the film, the critic who foresaw most clearly what it presaged for the future of cinema was Life magazine’s Robert Sherwood. He described the spoken dialogue scene between Jolson and Besserer as “fraught with tremendous significance…. I for one suddenly realized that the end of the silent drama is in sight”.

Critical reaction was generally, though far from universally, positive. New York Times critic Mordaunt Hall, reviewing the film’s premiere, declared that

   

not since the first presentation of Vitaphone features, more than a year ago [i.e., Don Juan], has anything like the ovation been heard in a motion-picture theatre…. The Vitaphoned songs and some dialogue have been introduced most adroitly. This in itself is an ambitious move, for in the expression of song the Vitaphone vitalizes the production enormously. The dialogue is not so effective, for it does not always catch the nuances of speech or inflections of the voice so that one is not aware of the mechanical features.

Variety called it “[u]ndoubtedly the best thing Vitaphone has ever put on the screen…[with] abundant power and appeal.” Richard Watts, Jr. of the New York Herald Tribune called it a “a pleasantly sentimental orgy dealing with a struggle between religion and art…. [T]his is not essentially a motion picture, but rather a chance to capture for comparative immortality the sight and sound of a great performer.” The Exhibitors Herald’s take was virtually identical: “scarcely a motion picture. It should be more properly labeled an enlarged Vitaphone record of Al Jolson in half a dozen songs.” The film received favorable reviews in both the Jewish press and in African American newspapers such as the Baltimore Afro-American, the New York Amsterdam News, and the Pittsburgh Courier. The headline of the Los Angeles Times review told a somewhat different story: “‘Jazz Singer’ Scores a Hit-Vitaphone and Al Jolson Responsible, Picture Itself Second Rate.” Photoplay dismissed Jolson as “no movie actor. Without his Broadway reputation he wouldn’t rate as a minor player.”

On This Day In History October 6

Cross posted from The Stars Hollow Gazette

Find the past “On This Day in History” here.

October 6 is the 279th day of the year (280th in leap years) in the Gregorian calendar. There are 86 days remaining until the end of the year.

On this day in 1927. The Jazz Singer makes its debut in New York City.

The first feature-length motion picture with synchronized dialogue sequences, its release heralded the commercial ascendance of the “talkies” and the decline of the silent film era. Produced by Warner Bros. with its Vitaphone sound-on-disc system, the movie stars Al Jolson, who performs six songs. Directed by Alan Crosland, it is based on a play by Samson Raphaelson.

The story begins with young Jakie Rabinowitz defying the traditions of his devout Jewish family by singing popular tunes in a beer hall. Punished by his father, a cantor, Jakie runs away from home. Some years later, now calling himself Jack Robin, he has become a talented jazz singer. He attempts to build a career as an entertainer, but his professional ambitions ultimately come into conflict with the demands of his home and heritage.

The premiere was set for October 6, 1927, at Warner Bros.’ flagship theater in New York City. The choice of date was pure show business-the following day was Yom Kippur, the Jewish holiday around which much of the movie’s plot revolves.  The buildup to the premiere was tense. Besides Warner Bros.’ precarious financial position, the physical presentation of the film itself was remarkably complex:

   

Each of Jolson’s musical numbers was mounted on a separate reel with a separate accompanying sound disc. Even though the film was only eighty-nine minutes long…there were fifteen reels and fifteen discs to manage, and the projectionist had to be able to thread the film and cue up the Vitaphone records very quickly. The least stumble, hesitation, or human error would result in public and financial humiliation for the company.

None of the Warner brothers were able to attend: Sam Warner-among them, the strongest advocate for Vitaphone-had died the previous day of pneumonia, and the surviving brothers had returned to California for his funeral.

According to Doris Warner, who was in attendance, about halfway through the film she began to feel that something exceptional was taking place. Jolson’s “Wait a minute” line had prompted a loud, positive response from the audience. Applause followed each of his songs. Excitement built, and when Jolson and Eugenie Besserer began their dialogue scene, “the audience became hysterical.”  After the show, the audience turned into a “milling, battling, mob”, in one journalist’s description, chanting “Jolson, Jolson, Jolson!” Among those who reviewed the film, the critic who foresaw most clearly what it presaged for the future of cinema was Life magazine’s Robert Sherwood. He described the spoken dialogue scene between Jolson and Besserer as “fraught with tremendous significance…. I for one suddenly realized that the end of the silent drama is in sight”.

Critical reaction was generally, though far from universally, positive. New York Times critic Mordaunt Hall, reviewing the film’s premiere, declared that

   

not since the first presentation of Vitaphone features, more than a year ago [i.e., Don Juan], has anything like the ovation been heard in a motion-picture theatre…. The Vitaphoned songs and some dialogue have been introduced most adroitly. This in itself is an ambitious move, for in the expression of song the Vitaphone vitalizes the production enormously. The dialogue is not so effective, for it does not always catch the nuances of speech or inflections of the voice so that one is not aware of the mechanical features.

Variety called it “[u]ndoubtedly the best thing Vitaphone has ever put on the screen…[with] abundant power and appeal.” Richard Watts, Jr. of the New York Herald Tribune called it a “a pleasantly sentimental orgy dealing with a struggle between religion and art…. [T]his is not essentially a motion picture, but rather a chance to capture for comparative immortality the sight and sound of a great performer.” The Exhibitors Herald’s take was virtually identical: “scarcely a motion picture. It should be more properly labeled an enlarged Vitaphone record of Al Jolson in half a dozen songs.” The film received favorable reviews in both the Jewish press and in African American newspapers such as the Baltimore Afro-American, the New York Amsterdam News, and the Pittsburgh Courier. The headline of the Los Angeles Times review told a somewhat different story: “‘Jazz Singer’ Scores a Hit-Vitaphone and Al Jolson Responsible, Picture Itself Second Rate.” Photoplay dismissed Jolson as “no movie actor. Without his Broadway reputation he wouldn’t rate as a minor player.”

Muse in the Morning

Photo Sharing and Video Hosting at Photobucket
Muse in the Morning

Time for a break from poetry…in order to create some art.

You give but little when you give of your possessions. It is when you give of yourself that you truly give.

–Khalil Gibran



Waves 3

Late Night Karaoke

OCCUPY WALL STREET  

Breaking: Beatings And Arrests At OWS

According to DK:

http://www.dailykos.com/story/…

Video of baton beatings at the link.

And according to Charles Grapsi, 100 arrests so far.

update: now on huffpo:

http://www.huffingtonpost.com/…

“allegedly”

update 2:  http://www.huffingtonpost.com/…

Koch Bros. Fund Iran for Prosperity

Cross posted from The Stars Hollow Gazette

The billionaire Koch bothers, major GOP donors who founded Americans for Prosperity to fund the tea party movement, have apparently been ignoring US laws (pdf) and making even more money trading with Iran. In an article that appeared in Bloomberg Markets Magazine, the possibly criminal activity of the brothers is exposed:

– Koch Industries used the European offices of their subsidiary Koch-Glitsch to sell millions of dollars of petrochemical equipment to Iran in an apparent violation of the US-Iran trade embargo, as recently as 2007

– Internal documents of Koch Industries prove that the company took elaborate steps to ensure that their US-employees weren’t involved in the sales to Iran

– While is not 100% certain at this point that Koch Industries did in fact violate US law, according to Bloomberg Markets Magazine, internal memos show for example that the details of the sales with Iran were meticulously checked by US lawyers of Koch Industries and coordinated with the lawyers in order to fully ensure that no visible involvement of US-citizens took place

– Koch Industries paid bribes in six countries from 2002 to 2008 to win business in Africa, India and the Middle East, comparable to similar behaviour of German technology giant Siemens (Siemens subsequently had to pay a $ 1.6 billion fine!)

Koch Industries sacked a compliance officer in France in June 2009 who discovered the illegal bribes at Koch Industries subsidiary Koch-Glitsch

These revelations were made possible through newly discovered documents from two labour court cases in France

– Bloomberg Markets reveals that former employees of Koch Industries harshly criticize the company for their internal practises and ethics

– The story also covers in great detail over several pages earlier violations of Koch Industries: The company in the past “rigged prices with competitors, lied to regulators and repeatedly run afoul of environmental regulations, resulting in five criminal convictions since 1999 in the U.S. and Canada”

Koch Brothers Flout Law Getting Richer With Secret Iran Sales

In May 2008, a unit of Koch Industries Inc., one of the world’s largest privately held companies, sent Ludmila Egorova-Farines, its newly hired compliance officer and ethics manager, to investigate the management of a subsidiary in Arles in southern France. In less than a week, she discovered that the company had paid bribes to win contracts.

“I uncovered the practices within a few days,” Egorova- Farines says. “They were not hidden at all.”

She immediately notified her supervisors in the U.S. A week later, Wichita, Kansas-based Koch Industries dispatched an investigative team to look into her findings, Bloomberg Markets magazine reports in its November issue.

By September of that year, the researchers had found evidence of improper payments to secure contracts in six countries dating back to 2002, authorized by the business director of the company’s Koch-Glitsch affiliate in France.

“Those activities constitute violations of criminal law,” Koch Industries wrote in a Dec. 8, 2008, letter giving details of its findings. The letter was made public in a civil court ruling in France in September 2010; the document has never before been reported by the media.

Egorova-Farines wasn’t rewarded for bringing the illicit payments to the company’s attention. Her superiors removed her from the inquiry in August 2008 and fired her in June 2009, calling her incompetent, even after Koch’s investigators substantiated her findings. She sued Koch-Glitsch in France for wrongful termination.

Hello? Eric Holder?

h/t to David Waldman from a Tweet at Twitter which led down the rabbit hole.

My Little Town 20111005: Ben Boggs

Those of you that read this regular series know that I am from Hackett, Arkansas, just a mile of so from the Oklahoma border, and just about 10 miles south of the Arkansas River.  It was a redneck sort of place, and just zoom onto my previous posts to understand a bit about it.

Ben Boggs was a nice guy, but had a lot of problems.  He lived in the rock house that Granddad built in the early 1950s whilst Granddad lived in the bus.  Ben had a very nice and understand wife, Johnnie, and two kids who are likely still living, so I will not say anything about them.  You know that I do not write about living folks from My Little Town without their express permission most of the time.

Ben was a World War II veteran, and had a leg shot off almost at the hip.  He did not have enough bone left for the technology at the time to offer him a prosthetic leg, so he used crutches, and those were made of aluminum when my memory began in 1962.  these memories are mostly from 1966 and later.